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“Les Maitres Fous”
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A five page paper which looks at Jean Rouch’s 1954 movie, Les Maitres Fous, in terms of his perception of the Hauka community in Accra under colonial role, and the cultural and religious significance of the possession ceremony which allowed the Hauka to assimilate the constraints of colonialism into their traditional religious practices.
Bibliography lists 1 source.
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Pages:
5
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Filename:JL5_JLHauka.wps |
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Paper Title:
“Les Maitres Fous”
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