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Black Aesthetic Theory and the Film “Chameleon Street”
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This is a 5 page paper discussing the discourse used in terms of black aesthetic theory in the film “Chameleon Street” directed by Wendell B. Harris Jr. Unlike the other films released during the early 1990s by other African-American directors who demonstrated the black urban “other” aspects of black critical theory, Harris’ portrayal of con man Douglas Street whose adaptable persona came to be recognized as the inner African-American psyche in today’s society.
Bibliography lists 4 sources.
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Pages:
5
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Filename:D0_TJChame1.rtf |
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Paper Title:
Black Aesthetic Theory and the Film “Chameleon Street”
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