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David Henry Hwang’s “M. Butterfly”
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Camera Angles and Techniques research papers
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This 5 page report discusses
the fact that Illusion and reality are the key ingredients in
Chinese-American playwright David Henry Hwang’s “M. Butterfly”
(1988) and those factors are what have had the greatest influence
in terms of how his work has been interpreted by audiences seeing
it performed or its film adaptation for which Hwang wrote the
screenplay. The story itself is one that serves as a
deconstruction of the illusions and realities of West versus
East, hetero- versus homosexual realities, and what is “proper”
and what is taboo. Bibliography lists 3 sources.
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Pages:
5
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Filename:D0_BWhwang.rtf |
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Paper Title:
David Henry Hwang’s “M. Butterfly”
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