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Documentary Film Practice: The Reflexive Mode of "The Bicycle Thief"

 
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Documentary Film Practice: The Reflexive Mode of "The Bicycle Thief"

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A 7 page discussion of the dominant organizational patterns in the cinematic process. Discusses the four modes of production identified by Bill Nichols: expository, observational, interactive, and reflexive. Contends that the particulars of Nichols' four modes of production are related to historical circumstance and movement as well and utilizes “The Bicycle Thief” a 1940s film depicting the harsh realities of post-war Italy, to further explore the reflexive mode. Bibliography lists 4 sources.
Pages: 7
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Paper Title: Documentary Film Practice: The Reflexive Mode of "The Bicycle Thief"
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