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Eyes in Film
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A 4 page essay that discusses eyes and vision in three films, Being John Malkovich (1999, directed by Spike Jonze), Vertigo (1958, directed by Alfred Hitchcock), and Rear Window (1954, also directed by Hitchcock). In these films, the camera position is frequently crucial, as vision, that is, what the character sees, is an integral part of the film's premise. Therefore, the camera angle is expertly used so that it enhances this thematic perspective. Additionally, in all three films, there is an emphasis on eyes, close-ups of eyes that naturally lead to an association with the audience between eyes, vision and the camera as a means of seeing what the character sees. Bibliography lists 3 sources.
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Pages:
4
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Filename:D0_kh3eyef.rtf |
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Paper Title:
Eyes in Film
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