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Postmodernism in Quentin Tarantino’s “Pulp Fiction” and
“Reservoir Dogs”
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Television Essays research papers
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This 3 page report discusses two Tarantino
movies “Pulp Fiction” (1994) and “Reservoir Dogs” (1992) in terms
of their various postmodernist characteristics. In postmodern
reality, identity becomes self-determined. Because there are
few, if any, universal ideals linking human beings together, all
that's left are “tribes:” identity groups based on race,
ethnicity, gender, or whatever. In the case of the tribes created
in Quentin Tarantino movies, crime and violence are the primary
links for social and personal identity. Bibliography lists 3
sources.
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Pages:
3
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Filename:D0_BWtarant.wps |
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Paper Title:
Postmodernism in Quentin Tarantino’s “Pulp Fiction” and
“Reservoir Dogs”
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